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You do not have to use the same animation effect for each category or each series of the chart. After you set up the chart to animate each piece individually, individual entries appear for each piece on the list in the Animation pane. You can expand this list and then apply individual settings to each piece. For example, you could have some data bars on a chart y in from one direction, and other data bars y in from another direction. You can also reorder the pieces so that the data points build in a different order from the default order. Not all animation effects are available for every type of chart and every series or category animation. If a particular animation is not working, try a simpler one, such as Fade or Wipe.

3. Import an image or video clip for the background and place it into Video Track 1. To create the Sailing Lessons logo project, we used a video clip called Boat Moving. If you wish to import this video clip, load it from the 8 folder on the CD-ROM that accompanies this book. 4. Add an effect to the clip by clicking the effect in the Video Effects palette, and then by dragging it to the clip in Video Track 2. In our example, we chose the Twirl command. 5. In the Effect Controls palette, use the sliders to specify the effect settings. If your effect includes a dialog box, you see the word Setup in the palette. Click Setup to open the Effects dialog box and set the options for the effect in the dialog box. 6. Click the first frame in the image. Expand the keyframe track by clicking the Track Expand icon. Then click the Add/Delete Keyframe box to add a keyframe. A checkmark appears. 7. To add another keyframe, move the Timeline marker to a new position. Change the settings in the Effect Controls palette or the dialog box for the effect. Then click the Add Keyframe checkbox. (To add more keyframes, repeat this step as many times as desired.) 8. To preview the Effect, choose Timeline Preview or press Enter

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(6.4)

n Gray: Making automatic color manipulations to color images is all very well and good, but clipping is bound to occur, and with millions of theoretical colors at your disposal, the clipping is unlikely to do any visible harm. Grayscale images are another story. Blessed with just 256 brightness values, they are significantly more fragile than color images, and few grayscale images are tagged properly, which makes Photoshop s automatic adjustments less than reliable. You, therefore, would be well served to correct grayscale images manually (as explained in 18) and keep Photoshop out of the process. Set the Gray option to Off. n Profile Mismatches: These two options tell Photoshop how to behave when opening an image whose profile does not match the working color space. If you select Ask When Opening, Photoshop asks your permission to perform the conversion suggested in the previous pop-up menus. This prompt also gives you the option of opening the image in its native color space or leaving the image untagged. Back in the Color Settings dialog box, select the Ask When Pasting option to tell Photoshop to warn you when you copy an image from one working space and paste it into another. As for the Ask When Pasting option, deselect that, too, and let Photoshop do its work unhindered.

6 Move the Eyedropper tool over those sections of the image whose grayscale values you want to measure.

An important quantity is the (also time-independent) value of Au(0,t ) that represents the linear flux across the interface z = 0,

Now that you understand the diameter settings, the angle and roundness settings are pretty simple stuff But to confirm your knowledge and make sure that we re all on the same page, here s how they work: n Angle Control: As with diameter, you can link the angle of the brush to such variables as Pen Pressure, Pen Tilt, and Stylus Wheel More pressure or tilt equals more rotation of the brush Naturally, the changes show up best with elliptical or asymmetrical brushes You also can link the angle to Fade, which rotates the brush over the course of a specific number of steps, and then returns the brush to its normal angle (as specified in the Brush Tip Shape panel) But this Control pop-up menu adds two more settings: Direction and Initial Direction The first rotates the brush according to the direction of your drag.

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